Today's post is going to encompass a myriad of things, so try and keep up! :)
First up, one of my newer books. It's a 6.5" x 8" little number that's covered in paper that's rich in color (the print may look familiar as I used a much lighter blue "wave" paper for a different project). I'm not sure if you can see it in the picture, but the waves are outlined in gold. (I mean, I don't think it's like valuable or anything, so I wouldn't try and take it out of the paper, but it is very pretty nonetheless.) The closer view is of the binding, which is coptic and I'm becoming very fond of the 3 x 3 configuration with the knots.
Ooooh, so I'm so excited to announce the major announcement of this post: my dad's photos are hanging up at the Madison Park Bakery (www.madisonparkbakery.com), which is owned by my Auntie Karen and my Uncle Terry. It looks pretty spiffy, if I do say so myself! We bought the frames from www.americanframe.com and they ship the frames to you disassembled and then you reassemble them (or I guess assemble them, since they weren't assembled in the first place). I really like to do that kind of stuff and so my dad sent his photos and their frames to me and I put them together over a couple of nights (note: when matting a picture, it's good to look at the size of each side and put the bottom --the thicker part of the mat--at the bottom, you know, instead of at the top). But if anyone needs help putting the frames/mats together, let me know. The nice thing about American Frame is that if you buy a frame, they'll cut a mat for free, which is pretty awesome. Then you don't have to do all the measuring yourself. I have a mat cutter at home, so I'm practicing, but for large works, it's just easier to get the frame people to do it.
So the bakery is at 4214 East Madison Street in Seattle and is super cute (especially now) and has super yummy treats in it--the donuts are exceptional (whatever Top Pot). You should also take a look at the website (www.madisonparkbakery.com) because not only did I draw the little pastry characters, but my brother designed and put up the website. So it's pretty awesome. And it was all done in like the draw program or something like that, which is even more crazy.
So 8 different photos are displayed and it takes up the whole wall that I couldn't get it all in the picture. There's one of a ladybug on a cactus, stars on a dirt road, crabs at the market, multicolored trunks, two that highlight the space needle and one panoramic cityscape of Seattle. It was super fun to put them all up on the wall and know that people were going to experience the joy of seeing my dad's photos. If you want to see more, there's a link on the left of my blog. In these pictures, it's difficult to see the images, but I'll do something about that when I get home...
And the last bit of news is that I'm going to be hanging out with my new "nephew" (he's the son of my best friend Renee from high school!) in San Antonio. His name is Eli and here's a picture of me and him when Renee, Maria (Eli's abuelita) and Eli came to visit Seattle a couple of weeks ago. So I've heard he's grown quite a bit, but I'm excited to see for myself.
Tuesday, October 14, 2008
Tuesday, October 7, 2008
Fall is upon us
So I'm not exactly sure where summer went, but here in Seattle, it is decidedly autumn. From a light drizzle to sheets of rain, we've seen the whole spectrum over the last week. In addition, the blustery wind whips my hair around like I've taken a ride in a convertible with the top down. :)
In any case, here are a few of my new books that were made with fall colors.
The first is a book I made for my Auntie Cheryl for her birthday. I thought of all the paper that I had the large flowers on the green background was the most fitting for this particular relative. She is both vibrant, yet feminine which is reflected in this particular book. It is a cover bound book with green mohair book cloth from Talas (like all of my lovely book cloth) and the inside pages are a bright white 20lb text. I can't remember how many pages it was...:\ But I am pretty sure that the end pages were a bright yellow, also an aspect of my Auntie Cheryl.
So, like many of my purchases (much to the chagrin of my mother), this particular paper with goldfish on it was bought on a whim. And though I really like this paper that I got from fancy paper store de Medici Ming, I brought it home and saw that it was made by the conglomerate Paper Source. But how can you say no to bright goldfish? So I am resigned to really enjoy this paper (even if it is mass produced). This one was really to make for fun. I used a french knot for the binding in red, which I thought went particularly well with the gold--kind of Chinese color pair, I guess. It has 80 lb text on the inside and has red endpages. I'm currently thinking I might use this goldfish paper as endpages for a book with waves on the outside. :)
This last one is clearly fall-inspired, although I actually made it in very late August, as it dons a cover of gold and orange leaves that look like they may crunch if you hold the book too tight. This one was made to take with me to Bumbershoot, the annual music and arts festival in Seattle during Labor Day weekend. This books is 6 x 6 and filled with sketchbook pages because I knew that I'd be trying to draw a bit here and there while at the festival. It was bound using coptic binding, which I think is particularly fetching in this 3 x 3 configuration.
FYI, Bumbershoot is known for the music that's played there (this year Beck, Stone Temple Pilots, and Death Cab for Cutie headlined each of the days), but over the years I've been more and more impressed with the variety and quality of the other arts that are presented. This year I saw a panel of comic book artists (Adrian Tomine and the guy who did Ghost World), another panel of writers (Joshua Ferris who wrote How We Came to the End, and Chip Kidd--a renown graphic artist who specializes in book jackets--Jurassic Park or David Sedaris' Naked), a moving show of photographs (which is supposed to mean a show of photographs that was moving emotionally, not like moving pictures which I think are classified as movies), a poster show showcasing artists from Seattle and Tehran (the first of it's kind--last year it was Seattle and Havana), and of course Flatstock--one of the semi-annual conferences for poster artists (the other's at SXSW). Flatstock is one of my favorite happenings all year. For the last 4 years I've brought $100 in cash (to limit my purchases, otherwise I might go a little crazy) and taken home 4ish posters that really caught my fancy. When I get the chance, I'll take the posters out and photograph them so you can see too. They're pretty awesome. My two favorite poster artists in particular are Jay Ryan of Bird Machine (www.thebirdmachine.com) and Jason Munn of the Small Stakes (www.thesmallstakes.com). I've been following them for about 4 years and they are fantastic in their own right. The each have their very distinctive styles and I encourage you to look at their work--totally worth another minute of your day.
In any case, here are a few of my new books that were made with fall colors.
The first is a book I made for my Auntie Cheryl for her birthday. I thought of all the paper that I had the large flowers on the green background was the most fitting for this particular relative. She is both vibrant, yet feminine which is reflected in this particular book. It is a cover bound book with green mohair book cloth from Talas (like all of my lovely book cloth) and the inside pages are a bright white 20lb text. I can't remember how many pages it was...:\ But I am pretty sure that the end pages were a bright yellow, also an aspect of my Auntie Cheryl.
So, like many of my purchases (much to the chagrin of my mother), this particular paper with goldfish on it was bought on a whim. And though I really like this paper that I got from fancy paper store de Medici Ming, I brought it home and saw that it was made by the conglomerate Paper Source. But how can you say no to bright goldfish? So I am resigned to really enjoy this paper (even if it is mass produced). This one was really to make for fun. I used a french knot for the binding in red, which I thought went particularly well with the gold--kind of Chinese color pair, I guess. It has 80 lb text on the inside and has red endpages. I'm currently thinking I might use this goldfish paper as endpages for a book with waves on the outside. :)
This last one is clearly fall-inspired, although I actually made it in very late August, as it dons a cover of gold and orange leaves that look like they may crunch if you hold the book too tight. This one was made to take with me to Bumbershoot, the annual music and arts festival in Seattle during Labor Day weekend. This books is 6 x 6 and filled with sketchbook pages because I knew that I'd be trying to draw a bit here and there while at the festival. It was bound using coptic binding, which I think is particularly fetching in this 3 x 3 configuration.
FYI, Bumbershoot is known for the music that's played there (this year Beck, Stone Temple Pilots, and Death Cab for Cutie headlined each of the days), but over the years I've been more and more impressed with the variety and quality of the other arts that are presented. This year I saw a panel of comic book artists (Adrian Tomine and the guy who did Ghost World), another panel of writers (Joshua Ferris who wrote How We Came to the End, and Chip Kidd--a renown graphic artist who specializes in book jackets--Jurassic Park or David Sedaris' Naked), a moving show of photographs (which is supposed to mean a show of photographs that was moving emotionally, not like moving pictures which I think are classified as movies), a poster show showcasing artists from Seattle and Tehran (the first of it's kind--last year it was Seattle and Havana), and of course Flatstock--one of the semi-annual conferences for poster artists (the other's at SXSW). Flatstock is one of my favorite happenings all year. For the last 4 years I've brought $100 in cash (to limit my purchases, otherwise I might go a little crazy) and taken home 4ish posters that really caught my fancy. When I get the chance, I'll take the posters out and photograph them so you can see too. They're pretty awesome. My two favorite poster artists in particular are Jay Ryan of Bird Machine (www.thebirdmachine.com) and Jason Munn of the Small Stakes (www.thesmallstakes.com). I've been following them for about 4 years and they are fantastic in their own right. The each have their very distinctive styles and I encourage you to look at their work--totally worth another minute of your day.
Thursday, October 2, 2008
Shout Out
I posted on some other people's crafty work previously and I thought I would do it again. Pictured below is a lovely dishtowel embroidered by none other than the talented and super smart--an adjective that both describes her wit and intelligence-- Michelle P. Baca. One one side of the dishtowel are the Friday tomatoes and the other hosts the cheery Saturday cherries. She sent this lovely piece of cloth (which, if you ask me, is too pretty to really use as a proper dish towel) along with a hardcopy of Junot Diaz's The Brief Wondrous Life of Oscar Wao. I have not yet read this novel, but not for lack of wanting. It sits on my shelf and I look at it with the anticipation of knowing you're going to read something wonderful (or I suppose "wondrous" might be a better adjective. I am excited because it not only comes as a recommendation from Michelle (who likes books like she likes her men: intelligent and witty--not necessarily in that order) but was also last year's Pulitzer Prize winner. For those of you interested, the book has recently been released in paperback. Unfortunately for you, it will decidedly not come with a lovely embroidered dishtowel with tomatoes and cherries as mine did.
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